' SH SI

Mathematica, CIV.

265

ons, and an Aftronomical Appendix. London 1675

in folio.

THOMAS SHELTON, Tachygraphy; or, the Artof Short- writting, the moft cafie, exalt and ſpeedy yetextant. London 1674 in 8.

Zeiglography. ibid. 166.

SHERWEN, New Mapp of the Royal Exchange of

London, London 167.

CHR. SIMPSON, Divifion Viol, the Art of playingex tempore upon à ground in three parts. 1. Of theViol with Inftructions, to play on it. z. Uſe of theConcorde. 3. The method of ordering divifion to aground. London 166. in fol.

Compendium of practical Mufick in s parts: tea-ching by a new and eafie method the rudiments ofSong, the principles of Compoficion, the use of DifCords, the form of figurate defcant, the Contrivanceof Canon ibid. 1670 in 8.

JOHN SMITH, The Art of Painting: wherein is in-cluded the whole Art of vulgar Painting accordingto the best and most approved Rules for preparingand laying on of oil Colours: The whole being focompleat that all perfons, by the directions contained therein, may be able to paint all manner of Sun-Dials: alfo al manner of Timber- Work, viz. Pales,Pallifodoes, Windowns, Wainscots,& c. Either forufe, beaty,or prefervation from the injury of the wea-

ther. Philomuth 1676 in 8

Stereometry; or, the Art of practical Gauging in 2parts, with a large Table of Arca's of a CirclesSegments, and other neceffary Tables,& c. London

1672 in 8.

Equation of Tome demonftrated to the meanest Caspacity: Together with a Table of Equations, abfolu-tely neceffary for the true adjufting and tight mana-ging of Pendulum Clocks. ibid. 167.

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