842

INDEX,

illuminated lithography, lithography combined or un-combined, with embossing, ib. Zincography or othermodes of printing, ib. Other processes applicable tothe fine arts generally, ib.

Models. —In architecture, 688, 689. In typography, 689.In anatomy, ib.

Designs. —Special Committee of the members of this Juryappointed to examine and report on the various designsfor decoration, tapestry, embroidery, mixed fabrics,&c.; Medals and Honourable Mentions awarded, 689.

Opinion of the Jury that a permanent industrial museumshould be established, 689, 690. And that a statue beerected to Prince Albert on the site of the ExhibitionBuilding, 690.

Supplementary Report by Dr. Waagen, —Comprehensive-ness of the Exhibition of the Works of all Nations, 691.The productions of the fine arts not precluded, paintingalone excepted, ib. Close connexion of the fine artswith manufactures, ib. A fuller revival of the alliancethat subsisted between them in the middle ages muchto be desired, ib. Great value of the processes ofM. Collas and of Mr. Cheverton for reproducing worksof sculpture, ib. Order in which it is proposed to noticethe productions of each nation in this Report, ib.

United Kingdom . —Little encouragement afforded by theGovernment to the fine arts, 691, 692. Notices of theprincipal works of sculpture and plastic art, on a largescale, contained in the Exhibition, 692, 693. Sculptureand works of plastic art on a small scale, viz.: works inmetal, embossed (repousse) work, 693. Medals andcoins, 693, 694. "Works in ivory, 694. Works in“ biscuit,” ib. Carvings in wood, ib. Graphic repre-sentations on plane surfaces, viz.: new processes ofpainting, ib. Enamels on porcelain or metal, ib. Paint-ing on glass, 694, 695. Works in niello, 695. Designs !for printed and woven fabrics for embroidery and for |book covers, ib. Architectural designs, ib. Various 1processes of printing, viz.: lithochromy, 696. Printingin oil-colours, ib. Zincography, ib. Fac-similes of •printing executed by the hand, ib. Architectural de-signs, viz., the Exhibition Building, ib. Models, ib.

The Zollverein : Prusia.—Great efforts made in Prussiaby successive monarchs and administrations to encouragethe fine arts, 697. Happy results to which these efforts ■have led, ib. Remarks on the principal works of sculp- .ture and of plastic art on a large scale exhibited byPrussia, ib. Sculpture on a small scale, 697, 698. iMedals, 698. Graphic representations on plane sur- 'faces, designs for tapestry, ib. Lithochromy, ib. Archi- itecture, models, ib. \

Bavaria.—Works of sculpture on a large scale, 698. And ion a small scale, 699. New processes of painting, ib.Enamels on porcelain and on metal, ib. Painting on :glass, ib. Various processes of printing, ib.

Saxony.—Sculpture and works of plastic art on a largescale, 699. Enamels on porcelain, ib.

Saxe-Gotha.—Painting on china, 699.

Wurtemberg.—Sculpture on a large scale, 699.

Hesse Cassel.—Chess-board and pieces, 700.

Hesse Darmstadt.—Ivory carving, 700.

Oldenburg.—Architectural models, 700.

France . — Great encouragement ever bestowed by theFrench government and nation on the fine arts, 700.Beneficial results thereof, ib. Notices of the principalworks of sculpture and of plastic art on a large scale jcontributed by France to the Exhibition, 700, 702.Works of sculpture on a small scale; in metal, 701.In ivory, ib. In wood, ib. Process of M. Collas forreducing sculpture by machinery, 702. Graphic repre-sentations on plane surfaces, viz., new processes of 1painting, ib. Enamels on porcelain and on metal, ib.Painting on glass, ib. Inlaid works in metal, ib. De-signs for woven and printed fabrics, ib. Designs forpainted windows, ib. The Government manufactorj- ofGobelins and Beauvais tapestry, ib. Different kindsof printing, such as lithography and lithochromy, 703.Printing in colours from wood blocks, ib.

Austria . —Remarks on the principal works of sculptureon a large scale, 703. Enamel painting, ib. Paintingon glass, ib. Lithochromy, ib.

Italy.— Observations referring to the Italian sculpture ofthe present day, 703.

Sardinia . —Works of sculpture on a large scale, 704.Coins, ib.

Tuscany . —Works of sculpture on a large scale, 704. Ona small scale, ib. Inlaid works in pietradura, ib.

Rome. —Sculpture on a large scale, 704. Cameos, ib.Mosaics, ib.

Belgium. —General diffusion of talent and feeling for thefine arts in this country; their consequently free de-velopment ; characteristics of the Belgic school ofsculpture, 705. Remarks on the works of sculpture ona large scale, ib. Medals, ib. Inlaid works in metal, ib.

Switzerland . —Architectural models, 705.

Spain. —Inlaid works in wood, 705. In metal, ib.

Denmark . —Works of sculpture on a large scale, 706. Ona small scale, ib.

Russia . —No specimen of sculpture on a large scale exhi-bited by Russia , 706. Plaster casts of medallions, ib.Painting on porcelain, ib. Lithochromy, ib.

United States of America . —Sculpture on a large scale,

706.

Fixe Art Casting. —High importance of the art ofcasting sculpture in metals, 706. Notices of the prin-cipal works in this section from the different countries,viz., Castings in bronze, 706, 707. Castings in zinc,

707. And in iron, ib.

Scythes—S pecimens of, 489, 491.

Sea-leads. —See Sounding Instruments.

Sea-Water —Products of, 48.—See also Salts of S?a- Water.

Sea-weed —Preparations of, 44.—See also Kelp.

Seabrook, W., 95.

Sealing-Wax —Used in Europe since the earliest ages, 450.Asserted to have been invented by a Frenchman in1640, ib. Jonas or Jones, the first manufacturer inEngland, ib. Improvements effected by Champanteabout 1780, ib. Materials of which composed, ibVarieties of wax used, ib. Wax used for the GreatSeal of England, 451. Great Seal and Privy Seal ofScotland, ib. Exchequer Sea), ib. Excellent specimensexhibited, ib. Awards to exhibitors, 452-455.

Seals —Impressions of, 315. Executed by machinery, ib.No award made by the Jury of Class XXX. in respectto seals, &c., 686.

Sealy, J., 581.

Seamer, T., 367.

Searight, J., 166.

Searle, C., 509.

Seaweeds, Dried —Specimens of, 157.

Secchi, F., 162.

Seebass, A. R., 509.

Seeger, E., 574.

Seel, —, jun., 297.

Seel, G., 472.

Seeley, J., 574.

Seeling and Becker, 449.

Seeman, G. and H., 373.

Seer, Messrs. L., 16.

Segalla, —, 98.

Seghers, B., 166.

Seguier , Baron A. (Juror and Associate), xxvii, 260, 261.

Seguin, A., 29, 562.

Seguin, J., 470.

Seib, J. A., 476.

Seigl. J., and Co., 373.

Seignette Salt. —Price thereof in Germany , 49.

Selby and Johns, 9.

Selenium —Specimens of, exhibited, 43.

Seleuka, J., 449.

Self, H., 179.

Selivanoff, —, 53.

Sellers, J., 491.

Selopis Brothers, 49.

Semenoff and Faleyeff, 160.

Semmens, J. and T. W., 218.

Semola —Sample of, 54.

Semovilla, 1L, 91.

Senechal, —, 198, 202.

Senigagiia and Carminati, 162.

Sentis, Mount (Switzerland )—Model in relief of, 309.

Sentis, Son, and Co., 360, 361.

Seppings, —, 137.

Sepulchral Monuments. —Series of large monumentalworks, chiefly constructed of granite, 556. Objectsexhibited, ib. Sepulchral monument of the decorativeperiod in Caen stone, 557. Singular monument of newform (that of a three-sided prism) in Caen stone, ib.Tomb of Bishop Walsh, 687, 693. Design for a gothictomb and canopy in wrought iron, 689, 695.

Serampore (East Indies)—Collection of woods from, con-tributed by the Indian Government, 127.

Seraphines.— Observations on this class of musical in-struments, exhibited, 332. Seraphine exhibited byDeutschmann, of Austria , ib.

Sericiculture, Central Society of (France ), 69, 160, 161.

Serionne, L. de, and Co., 507.