152
[North Side.
Class 30.
SCULPTURE, MODELS, and PLASTIC ART, &e.
Chester, Des. and Executor.—Topographical oil painting:Bird’s-eye view of the gulf of Naples. An illustrative ex-pression of the laws by which the surface of the earthassumes particular forms.
222 Clifford, \V. Exeter, Prop.—Models made of thepith of the common green rush, used in making rushlights.
223 Gusiilow, G. 34 Newman St. Oxford St. Inv.—Composition table and plaster casts, in imitation of bronze,steel, and gold. Portland vase, the Nero cup, tec. in frostedsilver.
224 Montanari, N. 29 Upper Charlotte St. Fitzroy Sq.Mod.—Figures, illustrative of Mexican town and savage life.
225 Pidglev, F. J. Conniger Cottage, Torre, Teign-mouth ltd. near Torquay, Prop.—A plateau in Florentinemarble, representing the fall of Troy, and the Greeks cele-brating their victory.
226 Bincley, il. 17+ Kensington PI. Holywell St.Westmr. Des. and Manu.—Enamelled slate tables. Imita-tions of marbles, and specimens of enamelled slate, for casingwalls.
227 Craddock, T. Wisbech, Prod.—Photographic copyof Holloway’s print of Raphael’s Elymas; of Vandyke’B St.Ambrose refusing Theodosius admittance into the church, he.
228 Calvert, W. 43 Clerkenwell-green.—Ornamentalengraved zinc place inlaid with different metals.
228a Bulman, J. Kelso, Roxburghshire, Scotland, Des.—Model of a farm steading, erected at Walk, in the countyof Northumberland, in the year 1850.
228 Crichton, G. North Bridge, Edinburgh, Des. andManu.—Specimens of Scotch pebble mosaic work. Chate-lains of silver scrolls, &c., ornamented with enamel of variouscolours. Silver claret jug, enriched enamelled scroll. Orna-ments entirely new design.
230 Bussell, 8. 3 Darnley Ter. Gravesend, Inv.—Spe-cimen of a new process for producing from a print of a lineengraving a fac-simile on steel.
230a Dowse, Henrietta, 39 Upper Charlotte St FitzroySq. Inv. and Des.—Painting on vellum, in gold, silver, andcolours, with raised work.
231 Holmer, 8.—Fragments of the Portland vase.
231a Humphreys, J. 13 Howard St. Strand, Inv. and
Manu.—Portable metallic letters, to be ffxcd on glass.
232 Rociiead, J. T. Glasgow, Des.—Model of the archat Dundee, erected to commemorate Her Majesty’s landingthere in 1S444.
232a Wuisiiaw, F. 1 St. John St. Adelphl.—Map ofLondon.
233 Green, J. 109 Gt. Portland St Des. and Eng.—Amilitary trophy engraved on zinc.
234 Etherisuton, H. 2 West St. Pimlico.—Two ena-melled table-tops, in imitation of glass mosaic
235 Aldred, S. working printer, 38 Fetter Lane, Sculp.—The Shakspeare Jubilee.
235a Thomas, J. 9 Old Church St. Paddington.—Designfor Preston Hall, modelled by T. Dighton.
236 Thomson, J. 57 Devonshire St Portland PI.—Design for a colossal time-piece adapted for silver or bronzemanufacture.
237 H aslem, J. 1 Wilton PI. West, Regent's Park, Prod.—Enamel paintings on gold. The Queen in her bridaldress; the Prince of Wales and Prince Alfred, after Win-terhalter, &c. from the collection of ll.R.li. Prince Albert.Three enamels on porcelain; The Good Shepherd, afterMurillo; the Infant Samuel, after Reynolds ; and SibillaEritrea, alter Domenichino.
238 Bone, H. P. 21 Percy St. Prod.—Enamel paintingson gold. Landscape after Morlu. Mater Dolorosa afterGuido. Frances, Marchioness Camden, after Reynolds.Frank Hals. Peter the Great. Clirist and Judas, after
Guido. Pastoral, infant Saviour sleeping on the Cross, afterMurillo, he.
239 Chabot, C. 9a Skinner St. Snow Hill, Des. andEng.—Specimens of transfer zincography, medallion, andsculpture engraving, by machinery.
240 Laing, J. Calton Hill, Edinburgh, Des. and Manu.
Glass chess or draught board.
241 Essex, W. 3 Osnaburgh St. Regent’s Park.—Anextensive collection of enamel paintings, from the collectionsof Her Majesty, H.R.H. Prince Albert, the Duke of Rich-mond, II. S. Hope, Esq. the Marchioness of Douro, LordOverston, the Countess of Elgin, the Duke of Northum-berland, and the Duke of Buccleuch.
242 Carrick, T. 10 Montague St. Portman Sq. Inv.—■Application of white marble to miniature painting. Theframe by H. Vine, 2 Albion Place, Little Chelsea.
243 De Lara, D. 3 Alfred PI. Bedford Sq. Des. andInv.—Illuminated design on vellum, in colours and gold,forming a chess-table with arabesque borderings, &c.
244 Harris, J. 40 Sidmouth St. Regent’s Sq. Prod.—Imitations of ancient typography, by Caxton, Wynkyn deWorde, Pynson, &c. Italian illuminated painting of the 16tbcent. Holbein's Dance of Death.
245 Gear, J. W. 5 Charlotte St. Fitzroy Sq i . Inv.—Specimens of a composition to supersede ivory, for largewater-colour paintings. Two paintings executed on thematerial illustrating the effect.
246 CnEsTERS, S. 1 Blomfield ltd. Maida Hill, Prod.—The Holy Family: a specimen of enamel painting on porce-lain, after the picture in the National Gallery by Murillo.
247 Gould, J. 20 Broad St. Golden Sq. Inv.—A ne*
mode of representing the luminous and metallio colouring °*the Trochilidce, or humming birds. ,
248 Cox, G. J. Polytechnic Inst. Inv.—Specimens
transfer of delicate copper and steel-plate engravings *"lithographic stone. ■
249 Bell, W. C., 44 Dean St. Soho Sq. Prod.—F.nam 6 *
painting: Ecce Homo, after Correggio. j
250 Newton, Sir W. J. 6 Argyle St.—Pictures
on ivory, joined together by the artist by a process of *“own invention. The Homage. The marriage of Herand the christening of the Prince of Wales, contain* 1 * 6portraits of Her Majesty, Prince Albert, tin. „
251 Nichols, Mary Ann, 7 St. Michael’s Ter. Pinn lC '
Inv. and Des.—Imitation cameos. -oj
252 Laroche, M. 65 Oxford St. Des. and Prod.—•*
Bath. The Evening Star. Daguerreotype. „f
253 Doe, E. High St. Worcester, Des.— Specimens \enamelling upon porcelain plates. Scene from Shaksp el *Richard the Second, fee.
254 VoiGTLANDEK, EvANS, & Co. 3 I.OWndeS .pj,Knightsbridge, Pro.—Daguerreotype portraits, by a 11proved instantaneous process. Artist, E. T. rickcri 11 ^' ^
255 Thotman, S. Clarendon Rd. Notting H*Hj V^jplS
Printing on glass for ornamental purposes, such as S e j,conservatories, windows, &c., and for philosopliioul purpsuch as dissolving views, 8tc. 1 pc* 1
256 Pring, Dr. J. H. Weston-super-Mare, Inv- on u ^1,—Specimens of omumental engraving on polishcu
effected 1>
257 Byrn.,
Des. &c.—Ornamental framework in cork.
by means of voltaic electricity. Gro'' cl
Byrn, O. 9 Monmouth Rd. Westbourno
:h<i
09. &c.—umamcntai traineworit in cor*. ,/<}
258 Bukmnkr, J. James <Jt. Edinburgh,_l)es.^an^' c
—Specimens of silver embossed chasing in ^
other styles of ornament, intended chiefly to bebrooches. fio' vCl c
259 IUssf., E. Leeds.—Ornnmcntaliiamo on200 Yko, 1>. D. Ashburton, Devonshire, c0 Y*> r
men of oil painting on white velvet; adapted toings of chairs, ottomans, sofas, &c.