MOE
579
MOU
Mixed Figdee, ii. 204.
Model, ii. 204.
Model, in Painting and Sculpture, ii. 204.Modillions, ii. 204.
Description of, ii. 204.
Examples of, ii. 204.
General disposition of, ii. 204.
Dimensions of, ii. 205.
Modular Proportion, ii. 205.
Modulation, ii. 205.
Module, ii. 205.
Different mode of choosing, ii. 205.
Column, i. 179.
Moilon, ii. 205.
Moineau, ii. 205.
Molding, ii. 205.
Moulding, ii. 221.
Mole, ii. 205.
Moment, or Momentum, ii. 205.
Force, i. 420.
Monastery, ii. 205.
Dissolution of religious houses in England, ii. 206.
Eevenues of do., appropriated to the use of the crown,ii. 206.
Number of monasteries, &c., suppressed in England,ii. 206.
Yearly revenue of same at time of dissolution, ii. 206.Number of inmates of religious houses, ii. 206.Foundation of bishoprics, ii. 206.
Foundation of several deaneries and chapters, ii. 206.
; Foundation of colleges and professorships, ii. 207.
! Monkey, ii. 207.
Monogram , ii. 207.i Monolith, ii. 207.j Celtic Architecture, i. 124.
I Monopteron, ii. 207.
I Monotriglypii, ii. 207.
Monstrance, ii. 207.
Monument, ii. 207.
Of early monuments, ii. 207.
Monument of Lysicrates, ii. 207.
Description of, ii. 207.
Monument, The, ii. 208.
Moorish, Moresque, Arabian , or Saracenic Architec-ture, ii. 208.
History of, ii. 208.
On the merits of this style, ii. 209.
Of the characteristics of the style, ii. 209.
Of the forms of arches and their treatment, ii. 209.
Of columns, ii. 210.
Of corbelling, ii. 210.
Of various methods of decoration, arabesques, inscrip-tions, trellis-work, mosaics, &c., ii. 210.
Of the exteriors of buildings, ii. 211.
Mosque, ii. 221.
Division of the style into three periods, ii. 211.Description of the Mosque of Cordova, ii. 212.
“ of a house at Seville , ii. 214.
Moor Stone, ii. 214.
Description of, ii. 214.
Mode of obtaining, ii. 214.
Moot Hall, Moot House, ii. 214.
Moresk, or Moresque, ii. 214.
Mortar, ii. 214.
Composition and properties of, ii. 214.
On ancient mortar, ii. 214.
“ lime, ii. 214.
“ sand, ii. 215.
“ the proportions of lime and sand in composition ofmortar, ii. 215.
Mr. Dossie on making of mortar, ii. 215.
Dr. Higgins on ditto, ii. 215.
“ lime, ii. 215.
“ sand, ii. 216.
Of the mixture of mortar, ii. 216.
Ditto for fine and coarse work, ii. 216.
Of substitutes for sand and stone-lime, ii. 217.
Of rules for determining the proportions in mixing,ii. 217.
Of the crystallization of mortar, ii. 218.
Of the materials used, ii. 218.
Analysis of different hydraulic lime-stones, ii. 218.
Of puzzolana, ii. 218.
Cement stone, ii. 219.
Analysis of various kinds, ii. 219.
Mortar, mixing, blending, and beating of, ii. 219.Mortar, White, ii. 219.
Mortar, for Cisterns , ii. 219.
Mortar, for Sundials , ii. 220.
Mortar-Mill, ii. 220.
Mortise, or Mortice, ii. 220.
Carpentry, i. 82.
Joinery, ii. 56.
Mortise Lock, ii. 220.
Mortuary, ii. 220.
Mosaic, or Mosaic Work , ii. 220.
Description of, ii. 220.
Difference between Mosaic and Marquetry , ii. 220.Marquetry , ii. 117.
On its application to the decoration of buildings by theancients, ii. 220.
Moorish Architecture, ii. 211.
Florentine work, ii. 220.
Mosque, ii. 221.
Description of, ii. 221.
Moorish Architecture, ii. 211.
Motion, Local, ii. 221.
Motion, Absolute, ii. 221.
Movement, ii. 221.
Mould, Masons’, ii. 221.
Mouldings, ii. 221.
Of Grecian and Eoman, ii. 221.
Technical terms for different kinds o F mouldings, andtheir form, ii. 221.
Apopliyge, i. 10.
Cavetto, i. 122.
Cymatium, i. 225.
Echinus, i. 326.
Ovolo, ii. 250.
Quarter Round, ii. 354.
Scape, ii. 408.
Scotia, ii. 409.
To describe the Eoman ovolo, ii.